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5 Reasons Why You Shouldn't DIY Your Logo
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With all the technology, access to great design ideas and computers at our fingertips - it's easy to cave to the urge of going it alone. I applaud all the DIY you can get away with. When it comes to your business logo and branding, do you have the design knowledge it takes to come up with something original that stands the test of time? 

I've come up with 5 reasons why I have the skills to get it done, son. 

Reason 1 - Passion

I spent a lot of time in school in my 20's learning how to use my ADHD to my advantage creatively. All jokes aside, I have invested both time and money becoming an expert at graphic design. I have a deep passion for making things really awesome. I cringe at horrible fonts while driving, comment on every new sign on our small town main street, and basically live my life observing design all around us. 

I spend my "down time" pursuing other creative hobbies like letterpress printing, screen printing, book making and collaging. I live a life dedicated to making things beautiful around me. When a person hires me to do their logo design, I apply this same passion to find the right solution. 

Reason 2 - Education

I thought about not putting this one in there, because sometimes it seems elitist or braggy. In all honesty it's an expense I will live with the rest of my life. Art school. I went to one of the best. This reason isn't enough on its own, because plenty of people went to school for something and totally suck at it. 

I went to school for graphic design, and spent about 8 years studying things like Cultural Semiotics and History of Graphic Design to get the foundation I have. At art school, you aren't always just drawing naked people and sipping latte's. I mean maybe some art schools. I spent time learning skills off the computer that help me come up with better, more creative solutions than other people. I spent 60% of my time researching concepts and ideas, which is the true basis of all design. Information. It's just a bonus that growing up I spent all my time organizing boxes of crayons and doing all the art I could get my hands on.... 

So when you hire me you get a total package - artist, researcher, designer and (sometimes) business counselor. The education from the last ten years working for others and being in business for myself has provided an additional education. Meeting business owners and learning about their unique businesses has provided me with insight to so many different industries. I have worked with people in automotive, entertainment & events, food service, art & cultural institutions, small businesses of all kinds, government agencies, schools, colleges & universities and more. 

Reason 3 - Research

The word research is an umbrella term for a few different things. I research your competition, design trends of the industry, the meaning behind your name, the website design that is best for you... Research gets me to solutions. I research what most people don't want to spend time looking into. The work I do upfront has almost nothing to do with art, and yet it provides the connections I need to make the work I do sing. 

Reason 4 - Practice

I've had the pleasure of practicing art for my whole life. I've focused on designing things for the last 12. I've made a thousand logos probably, sketched a million doodles, had a trillion ideas. I practice this every. single. day. What takes you 6 hours (designing a flyer, for instance) probably takes me 1. I have tools, expensive tools, and I know how to use them. My tools are on and off the computer. 

It takes practice to think creatively. My brain is trained to go there on command. Haha. Okay not on command because let's be real, creativity can be like a fickle cat sometimes. Practicing every day makes me primed for production. 

Things I practice every day: the internet, drawing, composition, creative thinking, software mastery, research, seeking inspiration to feed the creative beast, coffee drinking, blogging, social media marketing, business stuff like invoices, fine art things like block printing... It varies day to day but you get the idea. 

Reason 5 - Tools

The obvious tools like computer, software, pens, pencils, tracing paper - whatever you imagine a graphic designers tools to be, I use those. I also use things that aren't as obvious. I've used coffee grounds to stain a paper background. I have hand water colored bouquets of flowers. I've carved my design into a linoleum block to get a textured design instead of buying one on adobe stock. 

I spent the last month making books, printing prints, carving blocks, letterpressing book covers, drawing every place I've ever visited... This feeds the creative beast and opens me up to tools that someone who lives on a computer is never exposed to. I use things in a new way to create the feelings that attract people. I use all the tools available to me to achieve something totally lovable and original. 

The idea here, is that I live, eat and breathe design. It's always a good idea to hire people that are invested in what they do, that is why I hire a plumber to fix my toilet, a lawyer to fix my legal life, an accountant to fix my accounting... I don't have time or desire to learn the ins and outs of any of those things! I'll leave it to them, the same way people should leave designing to designers. 

You need a logo, I need something to work on - let's get in touch! 

 

 

 

Letterpress Holiday Cards

In early December I decided I had to print a vintage Happy Holidays plate I got from eBay. So my boyfriend and I headed out to the presses and set out to print greeting cards in a garage in 20° weather. 

The presses live in my friends garage. So we let the Chandler and Price warm up with the motor for about 15 minutes while it spread ink. I pre-cut my cards, so we just went for it. My friend PK also assisted a few prints, as Josh hand turned the fly wheel. Our motor is WAY too fast for our beginner hands, so we are just taking it easy doing some hand turning. Makes sense for winter, really. 

We printed about 100 cards total, and it was super fun despite Michigan being pretty wintery this year. I used French Paper Co. paper, they are a Michigan company that has been in business for over 100 years, and I just like supporting Michigan peeps. 

Looking for some letterpress? Let's make something! 

Case Study: Great Lakes Hop & Barley Conference

Michigan is stout with natural resources and regions that grow perfect beer ingredients. The Great Lakes Hop & Barley Conference, put on by Michigan State University each year, brings together those resources, farmers, brewers and scientists. Erin Lizotte, one of the organizers and educators for MSU Extension in Cadillac, approached me to tackle a new logo for them. I was invited to come to the conference in 2017 and analyze their existing branding and how the conference flows. I attended lectures, dinners and more lectures. I learned a lot about the farming aspect of craft beer and gained a totally new level of appreciation for our region's beer especially. 

The GLHBC needed a newer, brighter, more attractive logo that targeted their audience more directly. The logo they were working with was a bit dainty for the mostly male audience. They wanted the new logo to speak to the science of the beer industry, and the connections people make while they are at the conference. It needed to be strong, and to also work with the MSU logo. 

The process started with a pinterest board after multiple discussions about the direction they needed to go. The audience drove the visual research - farmers, brewers, equipment manufacturers - all needed to be reached. From the board, the organizers I worked with chose colors and a general direction that included a farmer. I took that and made the first round of logo options. They chose the early versions of the direction you see displayed here. The icons in the logo kit make up the elements of the conference by representing Michigan, water, beer, hop & barley, farmers and the geometric shape becomes the every growing connections throughout the industry. They got a full set of files and variations, as well as a detailed branding guide to help them effectively use the new graphic design. 

The results I will report back on, as the next conference happens in Spring of 2018. It was amazing to work with their dedicated team to make something bold and new for them. I'm excited to see how they use it and how it transforms their conference. 

Let's make something together! Get in touch!