Education Dani Renwick Education Dani Renwick

3 Tips for Providing Your Designer with Feedback

Working with a designer should be a fun and engaging experience. All design is a process of research, sketching, designing, refining and redesigning sometimes, until you reach a suitable product. Graphic design like logos and websites are a product of a relationship - you can definitely tell when its good. 

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Working with a designer should be a fun and engaging experience. All design is a process of research, sketching, designing, refining and redesigning sometimes, until you reach a suitable product. Graphic design like logos and websites are a product of a relationship - you can definitely tell when its good. 

1. Do your research.

Not only do you want to properly research the designer you are working with, you should look into your competition locally and nationally to see what you are in for. The designers website, social media accounts and other online presences should look high end they should have recent projects reflecting their skills. 

Its a benefit to research your competition to see what they are doing in their business and identity. You don't want to unknowingly copy existing logos or fonts, and its also good to see what they are doing that you do better. 

Doing a little research ahead of your design meeting can also help you have a better first conversation. It can help you see what is out there and start to visualize where your business fits into the world.

2. Take the time to communicate.

Designers are not mind readers. Yes, they too should be doing a fair amount of research to learn about you and your business. But its not solely on them for pulling a logo out of thin air. Have a real conversation with your designer and provide them with the emotional connection you feel with your business. Let them know who your clients are, how your sales are and where you are going in the next 5 years. It takes a lot of information to build a logo and identity, so, don't be shy.

When the designer comes back with designs, take the time to have a conversation about them. Think about them, read them and put them up on a wall to look at. Put them under your pillow at night. Design is usually a pretty big investment and your thoughtful feedback is really, really important. 

Designers don't expect you to come in speaking their language, but you do need to give feedback that is useful to move forward with. An example:

I hate option three and I love option 1 and 2. Great work!

This feedback is almost useless, and I'll explain why. I don't need a pat on the back for work you are paying me to do. I need to know WHAT you hate and love. And WHY. Its helpful to give feedback on the most obvious things, so start there. Leaving your personal preferences out of the conversation is key - because your customers may not have the same taste as you. If you are past the logo stage in business and working on something like a brochure, and have an established brand identity, your personal preference has no stake in the game. 

Color, fonts chosen, icons used, style of the illustration are all great things to comment on. Those are things people have an opinion on right away and it can open the conversation into more meaningful discussions. Like if your business started on the back of a buffalo in the the wild, and it should have a buffalo represented... Tell your designer those things up front, it will be so good I promise. 

3. Send feedback like a professional.

Feedback is really important. Did I say that already? Okay well, it is. Also being professional and courteous about giving your feedback is important. 9 times out of 10 feedback includes important changes to the design or content like photo swaps or new copy if you are dealing with a brochure or publication, for instance. 

The worst thing you can do is assume your designer has time to go through 15 emails to extract single photos. They do not. And you are paying for that time, so its more efficient all around to get your ducks in a row. 

  1. When you get feedback, do not reply with off-the-cuff feedback. Wait a couple of days to reply with comments so your feedback isn't in sporadic emails throughout the following days and nights of "OH I JUST THOUGHT OF THIS."

  2. DO REPLY with an immediate, "Got it! Thank you, I will be reviewing this for a couple of days. I'll get back to you."

  3. Compile any written comments and ideas you have right on the PDF using Comments or create a single email to write your comments in as you review the design.

  4. Compile photos you want to send on your computer into a folder. You can do the same when working from a phone.

  5. Also add to this email any website examples, Pinterest boards, or random photo examples.

Basically, put it all together for them. They have created you a thoughtful design, its only respectful to do the same when providing corrections and feedback. It really only takes a bit of organization. 

To sum it all up... Be specific. And say what you mean. Your experience will be so great if you can start with conversations and think of hiring a designer as hiring an ally that wants to help you do even better! When your relationship with your designer is open and good, you can accomplish anything in marketing basically. Thanks for reading! 

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Education Dani Renwick Education Dani Renwick

Ten Tips for Working with a Graphic Designer

I have gotten to work with all types of clients in my career so far, some more experienced with the process of design than others. Design is definitely a process, and there are steps and measures that can help everyone get the job done.

 
 

I have worked with all types of clients in my career, some more experienced with the process of design than others. Design is definitely a process, and there are steps and measures that can help everyone get the job done. 

 

  1. I am going to ask if you have a budget, and your answer should be yes. If you are serious about improving your sales or your perception in the marketplace, you should definitely have a marketing & design budget set aside. It’s the first question I have usually, and the answer is a good indication of how serious of a customer you are. If you say “I don’t have a budget,” that indicates to me that you haven’t given much thought to what you are about to ask me for. If your answer is “Yes, but it’s not very big,” that indicates to me that you have thought about it, and there is money set aside to accomplish something. If you answered “Yes,” and have a number and marketing goals — then we are ready to prioritize what you need right away. 
    Take away: Think about your business goals. Think about how much actual money you may have to throw at some sophisticated design, printing or publishing on the web and longer term campaigns to boost business. These things can and will improve business if handled the right way.

  2. Trust in me. I studied graphic design in school. I’ve spent the last ten years making things look really good for people. I know what I’m doing. I want you to succeed. I only say this part because there are small business owners that are very engaged and involved in the process. This is good! Hovering like a spy drone and micro-managing the design process is not good. Your designer needs time to research, think and create the masterpiece for you. Nothing will be 100% done or perfect on the first try. The design process can be compared to a volleyball game or tennis match. The ball goes back and forth between the players. Your brochure or poster has a volley of its own, but it all starts with trust! Understand that sometime’s the ball’s in my court, and sometimes it’s in yours.
    Take away: I know it’s scary to hire a designer. We are expensive and it’s hard to put your baby in someone else’s hands. Don’t fear, I really do want to make your business better, and I have the skills to do that for you. 
     
  3. Provide examples of your vision. You know in your mind at least a glimmer of an idea of what you want. I want to know that you hate pink, you had a terrible experience with Helvetica as a child or that you’ve been pinning your ideas to a Pinterest board. Share with me. Grow with me. We can do this, together.
    Take away: No one is a mind reader, and it can be hard to explain your vision. Make it easy on yourself and come prepared with ideas, colors or drawings, if you are feeling confident. (I promise I WILL NOT laugh.)
     
  4. Email all of the things she has asked for in one email, please. These days, it’s easy to get ahold of people and do business on the fly. As convenient as it is to have your designer at your fingertips, it's NOT convenient to send one photo at a time over email, Facebook messenger, or text message. Do your designer a favor and take the time to gather all the materials she has requested. She is after all, charging you for her time. The more time it takes to organize YOUR content, the more you are probably paying her, and not winning any popularity contests for wasting her time. 
    Take away: Ain’t nobody got time to search through ten inboxes for info. Do your part and gather it and package it in a nice succinct email. 
     
  5. Respect business hours. It’s true that your designer may be a night owl and working feverishly into the evening hours, but that doesn’t mean she’s available. Creative people work in odd ways, work odd hours and can hole up for hours on end while creating something. Not only are creative people’s working hours important time for them, so is their down time. It’s important to adhere to business hours and not break that boundary. This is especially important if your designer is your friend, don’t abuse your relationship with work related texts on the weekends or after business hours. 
    Take away: Boundaries are a sign of respect. Respect is a two way street. More than likely, it’s not an emergency and can wait until Monday. 
     
  6. Meet in person with your designer. It’s crucial to have face time with your designer when working together. It can alleviate so many issues that texting and emailing can cause. You should be prepared to meet with your designer to kick off a project, to check in when first rounds of the project are ready, and at least once more towards the end to make sure everything is on target. 
    Take away: Designers are known for their savvy communication skills to the masses as they market your business, but don’t expect her to be a mind reader. Coordinate meetings to stay on track and because —let’s face it — her office is cool and you like hanging out there. 
     
  7. Give her as specific of feedback as possible. I truly feel that people don’t want to crush my fragile ego sometimes when they are giving feedback on projects. I have been crushed by heros and slayed verbally by worse people than you. The more specific you can be when we are doing revisions the better. I often tell people to start with what they don’t like, it’s usually easier for them to say that than what they like about something. But it’s a double edged sword, because sometimes clients think they are hurting my feelings. You are not. 
    Take away: We are doing business and getting it right is my job, but I need your input.
     
  8. Run it past your committee. Maybe you are a solo business owner, maybe you have a partner, or maybe you have ten. The best bet is to let these other interested parties see the process and results before you make any final decisions. You are, again, paying your designer for her time, and major last-minute changes to logos, layouts or websites by people that never saw it throughout the design process can be costly if you bring them in too late in the game. 
    Take away: Sure, maybe Doug in Human Resources doesn’t need to see it, but your CFO who owns 49% of your company surely DOES need to see it. And yes, you do need to pay for all of these changes and time accrued. Usually these types of major changes fall outside the original scope of the project. 
     
  9. You are a business owner, you are an editor. Often your designer wears many hats, happily. Most of the time, she’s doing the job of a copywriter, designer, photo editor, and is looking through it all with a fine toothed comb as an editor of a newspaper would. Ultimately though, you need to be responsible for what goes out the door, too. Help your designer out, be a team player and read over your final final final copies to make sure nothing is spelled wrong, missing or out of place. 
    Take away: Crazy things happen sometimes — we rely on computer technology to work — and sometimes computers do crazy shit. Those edits you thought you made over and over, well they turned out wrong on 30,000 postcards. No one wants to make that discovery. Take the time to read over your final proofs carefully; that is why she sent it, afterall. 
     
  10. Don’t limit yourself to your own ideas. One of the most frustrating moments for a designer is when they a list of ideas to solve the problem, but the business owner is completely married to a horrible, outdated, copy-cat or lame idea. Yes, a designer can make all of your design dreams come true, but THIS designer has been trained to move far beyond the first idea that comes to mind and create something as unique and tailored to your business as possible. Research, getting to know the business, sketching, development, meetings, fine tuning, computer designing — these are all steps I take to ensure that we are getting to the root of the problem and solving it in a custom way. 
    Take away: Your business is totally different than your competition. Allow your designer to do her thing and solve the problem you came to her with. Most designers will do you a solid and show you your idea in full fruition, but more than likely her idea is different (and maybe better) than yours. That’s good; that’s what you paid her to do. 

Overall, working with a designer is a really nice experience that ultimately saves you time and money. These are just some suggestions of how to maximize the experience to get the most out of it. Got anything to add to this? Post below in the comments! 

 
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